An Evening with GET THE LED OUT – Tribute to Led Zeppelin
From the bombastic and epic, to the folky and mystical, Get The Led Out (GTLO) have captured the essence of the recorded music of Led Zeppelin and brought it to the concert stage. The Philadelphia-based group consists of six veteran musicians intent on delivering Led Zeppelin live, like you’ve never heard before. Utilizing the multi-instrumentalists at their disposal, GTLO re-create the songs in all their depth and glory with the studio overdubs that Zeppelin themselves never performed. When you hear three guitars on the album…GTLO delivers three guitarists on stage. No wigs or fake English accents, GTLO brings what the audience wants…a high energy Zeppelin concert with an honest, heart-thumping intensity.Dubbed by the media as “The American Led Zeppelin,” Get The Led Out offers a strong focus on the early years. They also touch on the deeper cuts that were seldom, if ever heard in concert. GTLO also include a special “acoustic set” with Zep favorites such as “Tangerine” and “Hey Hey What Can I Do.” GTLO has amassed a strong national touring history, having performed at major club and PAC venues across the country. GTLO’s approach to their performance of this hallowed catalog is not unlike a classical performance. “Led Zeppelin are sort of the classical composers of the rock era,” says lead vocalist Paul Sinclair. “I believe 100 years from now they will be looked at as the Bach or Beethoven of our time. As cliché as it sounds, their music is timeless.”A GTLO concert mimics the “light and shade” that are the embodiment of “The Mighty Zep.” Whether it’s the passion and fury with which they deliver the blues-soaked, groove-driven rock anthems, it’s their attention to detail and nuance that makes a Get The Led Out performance a truly awe-inspiring event!Paul Sinclair – Lead Vocals, Harmonica Paul Hammond – Electric and Acoustic Guitars, Mandolin, Theremin Jimmy Marchiano – Electric and Acoustic Guitars, Vocals Andrew Lipke – Keyboards, Guitar, Vocals, Percussion Adam Ferraioli – Drums, Percussion Phil D’Agostino (Bass) EddieKurek -Bass,VocalsGet the led OutDiana DeSantis – Special Guest Vocalist on “The Battle Of Evermore”https://www.gtlorocks.com/biosYouTube Video
An Evening with KATHLEEN MADIGAN: BOXED WINE & TINY BANJOS
Comedian Kathleen Madigan’s 33-year comedy career is showing no signs of slowing down as she will be kicking off her all-new tour, Boxed Wine & Tiny Banjos in 2023. Madigan has been touring 250 nights a year on the road and has risen from performing in comedy clubs to performing in marquee theaters with sold-out shows. Madigan has squeezed in over 40 appearances on late night talk shows and multiple comedy specials airing on Netflix, Comedy Central and HBO. She has also appeared on Jerry Seinfeld’s popular Netflix series, Comedians in Cars Getting Coffee and hosts her popular weekly podcast, Madigan’s Pubcast, which currently has over 3 million downloads on all streaming outlets. Her most recent special Bothering Jesus is her fifth hour long stand-up special and third special to be available on NETFLIX. Her highly anticipated sixth stand-up special, Hunting Bigfoot that will premiere world-wide on February 21st, 2023 as an Amazon Original. The brand-new special, recorded at The Paramount Theater in Denver, CO explores topics including Madigan’s aging parents, interactions with millennials, and hunting bigfoot. Kathleen’s album of the Bothering Jesus special, was the highest selling comedy album and most played comedy album on streaming services since 2014. Madigan has performed internationally at festivals in theaters in Ireland, England, Hong Kong, Australia and has filmed seven Montreal Gala Shows at the Just For Laugh’s Comedy Festival for CBC TV. Chicago Tribune wrote, “She has all but perfected the art of crafting and delivering a perfect joke. That singular dedication to the craft shows in both the evolution of her material over the years and way she can make a complicated joke with a hidden nub of wisdom seem both effortless and offhand.” “There’s nobody better than Maddy. She’s smart and just crushes it every time. She’s not just one of the best ‘female’ comics, she’s one of the best comics, period,” says Comedian Ron White She’s won the American Comedy Award for “Best Female Comedian” and the Phyllis Diller award for “Best Female Comedian.” She has written and produced for Lewis Black’s Root of All Evil on Comedy Central and done multiple USO tours in Iraq and Afghanistan. Madigan originally hails from St. Louis, Missouri.YouTube Video
An Evening with SiriusXM Presents Yacht Rock Revue – Reverse Sunset Tour
What is left for Yacht Rock Revue to prove? This top-notch group of musicians has already rocked onstage with John Oates, Eddie Money (RIP), and both versions of the band Player. They’ve trademarked the term “yacht rock,” both metaphorically and literally (U.S. Registration Number 3834195). From humble beginnings in a basement, touring in partnership with Live Nation and Sirius XM, they now headline sold-out shows across the country, from Webster Hall in New York to the Wiltern in L.A. While ​rising from bars to amphitheaters, t​hey’ve ticked every box on the Rock Star Accomplishments bingo card. Except for one: Writing and singing their own songs. Yacht Rock Revue’s first original record is ten songs inspired by the smoooooth sounds of the Seventies and Eighties. They’ve brazenly titled it​ Hot Dads In Tight Jeans ​ – forgive them for bragging, but that’s what they are – and it returns Yacht Rock Revue to their roots in original music. It’s rare that musicians in their 40s chase their rock star dreams. You’d have to be crazy to try. YRR knew they were underdogs, but resolved to take one more shot at the Top 40, and maybe even become a Cinderella story of midlife fulfillment. Yacht Rock Revue began in the least-yachtiest of states, 2,000 miles from breezy Marina del Rey. Niespodziani and Pete Olson met in the fourth grade in suburban Indiana, went on to Indiana University in the late Nineties, formed the band Y-O-U, then escaped – Rupert Holmes reference intended – to Atlanta. One night, Y-O-U tucked their tongues deep in their cheeks and played a show of Yacht Rock songs. The rowdy (a nice way of saying drunk), sold-out crowd loved it. Over the years, YRR (there’s also a Dave, a Greg, and literally three guys named Mark) have turned themselves into human wine spritzers, playing 120 to 150 shows a year, mastering Yacht Rock’s slick chords and mellow grooves, and partying like it’s 1979. What began as a joke among friends soon put a ripple in the zeitgeist, starting a national trend through YRR’s concerts, ​lauded as “unabashedly joyous affairs” by Entertainment Weekly. ​They accumulated an extensive wardrobe of white belts and polyester shirts. Yacht Rock Revue were revered and well-compensated! Their life was a tenor sax solo! This is what every musician wants. But even as YRR was sailing the smooth seas of tribute-band superstardom, and the band members all became dads, Niespodziani was still writing original songs. These new tunes had the spirit of Yacht Rock, but were more modern – akin to Phoenix or Air, the hip bands that adapted Yacht for a younger audience. They brought the songs to a hot producer, Ben Allen, who’s worked with Gnarls Barkley, Animal Collective, and Neon Indian. Allen gave the songsa lustrous shine, for both new audiences and their ever-loyal fans, the Nation of Smooth. Niespodziani and Olson even co-wrote a song, “Big Bang,” with Yacht Rock master Matthew Wilder, famous for his massive 1983 hit “Break My Stride.” Hot Dads In Tight Jeans ​ is as plush and shiny as Kenny Loggins’ beard. And YRR are already dropping these new songs into their sets, to great response from longtime fans who are thrilled to hear new smooth. While others in YRR’s position stick with the tried-and-true, Niespodziani hopes the album will let them welcome aboard new fans, too. To paraphrase a notable mariner… they’re gonna need a bigger yacht.
An Evening with CHRIS BOTTI
For over two decades, Grammy Award-winning master trumpeter and composer Chris Botti has amassed a spectacular variety of honors, including multiple Gold and Platinum albums, to become the nation’s largest selling instrumental artist. His mesmerizing performances with a stunning array of legends such as Sting, Barbra Streisand, Tony Bennett, Yo-Yo Ma, Frank Sinatra, Paul Simon and Andrea Bocelli have cemented his place as one of the most brilliant and inspiring forces of the contemporary music scene. Whether he’s performing with illustrious symphonies or at renowned venues around the globe, his unparalleled crystalline and poetic sound transcends musical boundaries.YouTube Video
An Evening with Lettuce & Steel Pulse Summer Tour with Makua Rothman
Lettuce Here it is, right on time. Unify. The eighth studio album from Lettuce, it’s also a third consecutive record made at Denver’s Colorado Sound Studios, completing a loose trilogy starting with 2019’s Grammy-nominated Elevate, and continuing with 2020’s Resonate. “Dealing with the pandemic, being in separate places, trying to survive without our best friends, without touring, not to mention the political divide in this country,” says Lettuce drummer Adam Deitch. “We really needed to unify.” Reunited with Colorado Sound’s esteemed engineer, Jesse O’Brien, Unify is a totally collaborative effort full of the highest of highlights, including its centerpiece track “Keep That Funk Alive,” inspired by the venerable Parliament-Funkadelic bassist, Bootsy Collins, and featuring Collins on bass and vocals. It’s, as well, a benchmark moment for the sextet- Adam Deitch (drums), Ryan Zoidis (saxophone), Adam Smirnoff (guitar), Erick Coomes (bass), Nigel Hall (keyboards/vocals), Eric ‘Benny’ Bloom (trumpet)- approaching thirty years since its humble Boston beginnings. “We’re just getting tighter and tighter,” says Coomes. “Really, these are the first records made with the six of us as a team, and it’s the best the band has ever been: live and in the studio; the funkiest and the most fun.” 16 songs. Pure Lettuce. Unify will teleport you to a funky galaxy far, far away, where all life coexists as one in peace, love, harmony, and music!Steel Pulse Bearing witness to the accelerating negativity of global affairs, Steel Pulse emerges with musical vengeance to halt the disarray of humanity. The band’s twelfth studio production, titled Mass Manipulation, reflects four decades committed to bettering mankind through music. Steel Pulse continues to be revolutionary in engaging controversial topics of racial injustice and human rights on a global scale. Their musical stance and conceptualizations are as potent and relevant today as they were at the beginning of their career. The album’s uniquely thematic approach provokes thought as it presses forward, toward humanities unification. A manipulation of our minds has been influenced by a New World Order currently dominating humankind. Steel Pulse reappears at a fated moment, armed with compassion, encouraging all people to reject false ideals, set higher goals, and demand more from themselves to further this unification. In the midst of today’s strife and turmoil, Mass Manipulation is Steel Pulse’s indispensable musical gift, as their forty year legacy continues to define the magnificent power and beauty of reggae music. As reggae revolutionaries, Steel Pulse is revered by the younger generation of artists and remains a powerhouse on stages around the globe. Through the example of Mass Manipulation, Steel Pulse demonstrates the endless possibilities that come from breaking down the walls of systemic greed and nurturing the fellowship of mankind.
KIP MOORE
Multi-PLATINUM singer/songwriter Kip Moore just released his electrifying new track “Fire On Wheels.” Co-written and co-produced by Moore and Jaren Johnston (The Cadillac Three), the new track is a volume-up, groove-driven anthem. With “Fire On Wheels” embodying the energy of Moore’s life out on the road, he also revealed his multi-city FIRE ON WHEELS TOUR will kick off in Salt Lake City, UT on 9/8. Moore has invited special guests Boy Named Banjo to join him this fall, on the trek that will see Moore bring his renowned live show to cities across the country, as well as a stop in Canada. Known as “one of country’s more thoughtful artists” (Billboard) Moore has toured the world earning acclaim and a rabid fanbase as an all-in performer in each setting, consistently selling out headlining shows internationally with huge followings in The U.S, The U.K, Europe, Australia and Canada. Praised by Noisey as “an uncompromising, genre-defying artist firing on all cylinders” Moore has blazed his own trail, with “a bit more Southern rock than traditional country… to be a Kip Moore fan suddenly became a marker of your having a certain refinement in your country-music taste” (Chicago Tribune). Moore first splashed into the mainstream with the double-PLATINUM “Somethin’ ‘Bout a Truck” in 2012, then followed up with three more best selling No. Ones (“Hey Pretty Girl,” “Beer Money” and “More Girls Like You”), a trio of ambitious, critically-praised albums and two gritty EPs that landed Moore on multiple “Best Of” lists. Moore recently garnered resounding acclaim for his fourth studio album, WILD WORLD. The set, co-written and co-produced by Moore, was spotlighted by critics as “especially vital; occasionally, even rare,” (Esquire). For more information visit kipmoore.net, and follow Moore on Twitter, Facebook, Instagram and TikTok.YouTube Video
The Mavericks
The Mavericks, the eclectic rock and country group known for crisscrossing musical boundaries with abandon, has gone through three distinct phases since it was founded in Miami in 1989. An initial period of heady success marked by big hits and critical acclaim in the ‘90s. A long hiatus starting 2003 when the musicians each went their own way. And finally, a triumphant reunion in 2012 which held long enough for them to recently celebrate the band’s 30th anniversary.Now, The Maverick shave ushered in the fourth phase of their evolution with the #1 Billboard debut of their first-ever, all Spanish album, En Español, released on the band’s own Mono Mundo label. Although all 12 tracks are in Spanish, as the title suggests, the collection represents a diversity of musical styles and cultural traditions, from tender boleros to brassy mariachi to reimagined Afro-Cuban classics. Seven of the tunes are familiar gems drawn from the vast Latin American songbook, while five are originals written or co-written by Malo.Like the band’s entire body of music, this one album cannot be boxed into a single category. The songs are as diverse as Latin America itself, and as cohesive as the ideal of the American melting pot. To season this rich musical paella, The Mavericks add their signature country/rock/Tex-Mex flavors and a refreshing spontaneity to the mix. En Español flips the band’s usual fusion formula, which adds a striking assortment of genres – salsa, ska, norteño, mariachi, and much more – to its sturdy rock/country base. Now, the foundation is solidly Latin with streaks of irreverent rock and twangy guitars running through it, all branded with the unmistakable Mavericks style.YouTube Video
Belinda Carlisle
Rock stars come and rock stars go. In an everchanging landscape of shifting musical trends, few artists stand the test of time. Belinda Carlisle is one of those rare talents who continues to remain relevant after nearly four decades in the business. Amidst changing tastes, the gifted and glamorous singer-songwriter has indelibly touched the hearts of pop fans around the world with her unique blend of gutsy vocals, emotively charged melodies and picturesque lyrics. With a multi-dimensional, internationally acclaimed recording catalog and countless tours showcasing her chameleonic musical prowess, the woman who began her career as co-founder and lead vocalist of groundbreaking all-female new wave/rock band The Go-Go’s has amassed worldwide sales in excess of 15 million albums and singles. The Go-Go’s played a pivotal role in setting the tone of 1980s pop with their self-penned, multi-platinum debut album, Beauty and the Beat. Buoyed by Carlisle’s unmistakably emotive and edgy phrasing, the international top-10 singles “Our Lips Are Sealed” and “We Got the Beat” became enduring anthems for independent women from ages eight to 80 while redefining traditionally restrictive notions of so-called “girl groups.” When the Go-Go’s went their separate ways in 1985 after three game-changing LP’s (boasting further timeless anthems like “Vacation” and “Head Over Heels”), Belinda wasted no time in greasing the wheels for a solo career based on musical individuality and authenticity. Teaming with prolific film, TV, and record producer Michael Lloyd, she quickly released Belinda in 1986 and scored an out-of-the-box, gold-certified smash via the romantic slice of classic pop that is “Mad About You.” The unforgettable tune rocketed to #3 on the US pop charts, and its accompanying music video became a staple on MTV. A home video release filmed at The Roxy Theatre in Los Angeles previewed the energetic stage presence that legions of fans would come to associate with Belinda.YouTube Video
Pink Martini featuring China Forbes
“Pink Martini is a rollicking around-the-world musical adventure… if the United Nations had a house band in 1962, hopefully we’d be that band.” – Thomas Lauderdale, bandleader/pianistYouTube Video In 1994 in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager politicians-in-training, he went to every political fundraiser under the sun… but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks. One year later, Lauderdale called China Forbes, a Harvard classmate who was living in New York City, and asked her to join Pink Martini. They began to write songs together. Their first song “Sympathique (Je ne veux pas travailler)” became an overnight sensation in France, was nominated for “Song of the Year” at France’s Victoires de la Musique Awards, and to this day remains a mantra (“Je ne veux pas travailler” or “I don’t want to work”) for striking French workers. Says Lauderdale, “We’re very much an American band, but we spend a lot of time abroad and therefore have the incredible diplomatic opportunity to represent a broader, more inclusive America… the America which remains the most heterogeneously populated country in the world… composed of people of every country, every language, every religion.” Featuring a dozen musicians, with songs in 25 languages, Pink Martini performs its multilingual repertoire on concert stages on six continents. After making it’s European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998, the band has gone on to play with more than 50 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center, the San Francisco Symphony, the Cleveland Orchestra, and the BBC Concert Orchestra at Royal Albert Hall in London. In 2014, Pink Martini was inducted into both the Hollywood Bowl Hall of Fame and the Oregon Music Hall of Fame. Pink Martini has released 11 studio albums on its own independent label Heinz Records (named after Lauderdale’s dog), selling over 3 million albums worldwide. In 2019, the band released two EPs featuring the vocals of Pink Martini’s newest members Jimmie Herrod and Edna Vazquez. Both vocalist have toured with the band for the past year and are officially part of the group with the release of Herrod’s EP Tomorrow and Vaquez’s Besame Mucho, both of which were co-produced by Thomas Lauderdale and China Forbes.
Tyler Hubbard of Florida Georgia Line
Tyler Hubbard’s face and name are familiar – and his voice is a staple on country music radio. With 19 No. 1 singles, countless awards, and sold-out tours, Tyler Hubbard has already had a remarkable career as a performer and songwriter as one half of multi-platinum duo Florida Georgia Line, and now Hubbard is ready to release his first solo album.The Georgia-native and prolific songwriter, who has over 60 cuts from a diverse set of stars like Jason Aldean and Kane Brown, among others, has written an extensive catalogue of songs as he works towards his debut solo release on EMI Nashville. For the new album, Hubbard wrote on every song and teamed up with some of Nashville’s most prominent hitmakers. The project, which Hubbard co-produced with Jordan Schmidt, will showcase Hubbard’s unique talents as well as continue to establish him as a powerhouse in country music. Hubbard’s debut solo single, “5 Foot 9,” which Billboard calls a “promising introduction to Hubbard’s solo music,” and MusicRow says is the “soundtrack song for summer,” has almost 90M global streams. The song quickly moved inside the Top 50 on the streaming chart in its first four weeks of release and is solidly inside the Top 15 at radio.Based in Nashville, TN, Hubbard is dedicated to healthy living and is passionate about travel and charity, supporting various Nashville charities, as well as global conservation organizations.YouTube Video
